Coward review – soldiers find escapism and romance in wartime theatrical troupe
Cannes film festival: Lukas Dhont’s first world war-set gay romance is a heartfelt examination of cowardice and lives lived in secret amid the brutality of battle
The word of the title is not used at any time in this film, but the relevance is clear. On the western front in the first world war, Belgian soldiers get permission to form a theatrical troupe, often in drag, to entertain their comrades when they are behind the lines and raise their morale (not entirely unlike the now despised 70s BBC TV comedy It Ain’t Half Hot Mum). The director is Lukas Dhont who explored gay and transgender issues in movies such as Girl and Close, and this story of a gay affair in the army is heartfelt and well acted, if rather earnestly researched.
The motley “band of rejects”, evidently excused frontline combat duty for various reasons, is led by Francis (Valentin Campagne), a tailor in civilian life who has now ecstatically flowered in the new role the war has given him. He is exuberant, mischievous, imaginative and genuinely committed to his theatrical art. The resulting entertainments look professionally accomplished. (Did these first world war gang shows really have people playing flute and clarinet?) One stolidly handsome, shy soldier called Pierre (Emmanuel Macchia) is fascinated by these theatrical types and by Francis himself; he deliberately stabs his own hand with a bayonet on the field of battle so he can join their group.
المصدر: The Guardian — Film
