Enzo review – Laurent Cantet’s swan song is a heartfelt tale of youth and desire
This powerful drama from the late film-maker and his longtime collaborator Robin Campillo, who directs, charts the growing pains of a teenager from a privileged family
The directors fortnight sidebar of Cannes opens with a heartfelt, urgent drama about youth and desire – and destiny, sexuality and class. It is, effectively, the final movie of the late Laurent Cantet, who died last year. Cantet was working on the screenplay with his longtime collaborator and contemporary, Robin Campillo and it is Campillo who now directs – and brings to the movie his usual intelligence and clarity.
It is a story of growing pains and not fitting in and the painful mystery of being young. Enzo is a 16-year-old kid from a privileged background, living in a gorgeous villa with a swimming pool; to the intense chagrin of his maths teacher dad and engineer mum he has decided he wants to quit school and work with his hands on a building site as an apprentice. Meanwhile Enzo’s elder brother is poised for a prestigious university career.
المصدر: The Guardian — Film
