‘My dad cannot see me on stage doing this’: will the stigma around boys who dance ever shift?
As the pioneering BalletBoyz company celebrates its 25th anniversary and Billy Elliott returns to the stage, the male dance landscape appears transformed from where it was at the turn of the century. But a certain macho dismissiveness remains …
“We always thought BalletBoyz was a really stupid name. We wanted not to be BalletBoyz.” says William Trevitt, founder of the company called, guess what, BalletBoyz. It was Channel 4 that landed them with that tag, when then-Royal Ballet dancers Trevitt and Michael Nunn made a cheeky and revealing backstage documentary at London’s Royal Opera House. Their knockabout, laddish charm won them fans, and when they went on to found their own company, first the two of them, later expanded to 10 men, the name stuck. It does carry a slight hint of the Chippendales about it. “We had a theatre manager coming and saying: ‘Could you ask the dancers to take their shirts off in the second act?’” remembers Trevitt. Which may say something about the expectations of a group of men dancing.
BalletBoyz is heading out on tour this month to celebrate its 25th anniversary. In those two-and-a-half decades, Nunn and Trevitt have done a lot for the image of men dancing (they have had women in their shows over the years, too, it must be said). It was never their intention to make a statement, it was always just about great dance, but still, here were two straight men who danced together – and later a whole company of young men – and commissioned a new repertoire that wasn’t about romantic partnering, but “two matching energies and exploring the balance between them”, as Trevitt puts it.
Around the same time Nunn and Trevitt were making their video diaries, another iconic male dancer spun into view. The film Billy Elliot came out in 2000, the story of the miner’s son who wanted to dance, and by the moving final scene was leaping into choreographer Matthew Bourne’s pioneering Swan Lake with its cast of all-male swans. The film was turned into a multi-award-winning musical that’s still going strong, with a new national tour opening this autumn.
It seemed like a moment where the image and profile of male dancers was changing – the so-called “Billy Elliot effect” – with rumours that one year more boys than girls auditioned for the Royal Ballet School. It feels as though in 2026 we’re living in a culturally different time to the turn of the millennium, especially when it comes to expectations of gender, so have attitudes to boys and men dancing completely changed?
“It’s cool to dance now, isn’t it,” says Layton Williams, who was the ninth Billy Elliot on stage, and more recently a runner-up on Strictly with pro partner Nikita Kuzmin. “My nephew is dancing on TikTok with his mates, and he’s a proper lad.”
المصدر: The Guardian — Stage