Miles Davis: Ascenseur pour l’Échafaud review – harmonic openness for Louis Malle’s haunting noir thriller
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(Decca France)
The trumpeter’s improvised soundtrack for the new wave director’s 1957 film still glows with sensuality, tension and nocturnal beauty in this lavish reissue
When Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player, who this writer would frequently hear practising graceful classical phrases, began playing homages to Miles’ voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music.
This month marks Miles’s centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the “Picasso of jazz” for the many styles he explored. A standout this month is his 1957 movie soundtrack Ascenseur pour l’Échafaud – now repackaged on vinyl and CD with restored audio, beautiful photographs and revealing essays.
المصدر: The Guardian — Music